Plots And Points

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We’ve all read a book without a plot point, or, should I say, without a point to the plot. Every story needs a beginning, middle, and end — we’ve known that for about two thousand years, thanks to good old Aristotle. But it doesn’t stop there.

' It would be nice to be able to draw lines between the table points in the Graph Plotter rather than just the points. ' Emmitt, Wesley College. Monday, July 22, 2019 ' Would be great if we could adjust the graph via grabbing it and placing it where we want too. Thus adjusting the coordinates and the equation. ' Ghader Yosefi, Iran. Plot the ordered pair 6, comma negative 8 into the coordinate plane. So this is a coordinate plane right over here. The horizontal axis here, this is the x-axis. Plot is the cause‐and‐effect sequence of events in a story. In a literary work, film, story or other narrative, the plot is the sequence of events where each affects the next one through the principle of cause-and-effect.The causal events of a plot.

In this article, we’ll show how plot points are used to move organically from the beginning to the middle to the end. Then, we’ll cover the difference between a plot point and plot and why it’s important to identify plot points. Finally, we’ll map two popular books by only their plot points.

So…

What is a plot point?

A plot point is an incident that directly impacts what happens next in a story. In other words, it gives a point to the plot, forcing the story in a different direction, where otherwise it would’ve just meandered.

Any event in a story can be significant, but if it does not move the story forward, it is just a point in the plot— not a plot point. The latter must:

  1. Move the story in a different direction.
  2. Impact character development.
  3. Close a door behind a character, forcing them forward.

Think of it like a bolt, holding your story together: without it, you just have separate pieces of scrap metal. But connect them together and they form a whole, each piece informing the event before it and after it.

What’s the difference between a plot point and plot?

Plot points are big and exciting moments, and if you think back on a book you read a while ago, they’re likely the moments you’ll remember. Because of this, it’s easy to think of every event in a book as a plot point. But that’s not always true.

The plot is a chain of connected events that comprises the narrative. If one of those events does not have a concrete effect on the protagonist — and by extension, the trajectory of the plot — it is not a plot point.

An advisor might berate a prince for mourning the death of his father, but this isn't a plot point because it isn't necessarily pivotal — it doesn't convince Hamlet to keep a stiff upper lip for the rest of his life, after all.

But, when the prince sees his father’s ghost with his own eyes (and the ghost bids him to avenge its death), the prince has no choice but to act. There, you can see a plot point in motion, determining the story’s course moving forward.

Why is it important to identify plot points?

Mapping a story by its plot points illuminates why some books are page turners, while others never get turned past the first page.

First and foremost, plot points show you how a story works. Remember how plot points are like bolts? That’s not just because they hold the story together. It’s also because they’re tiny and significant. Once you link them together, you can understand how the whole story is built.

Stories are not complicated at heart.

The good ones are a series of:

This happened, so this happened, but then this happened, therefore this happened.

The bad ones are simply just:

This happened, and then this happened, and then this happened… with nothing connecting the events organically.

Understanding when plot points occur in a story will give insight into whether any particular structure is being used. Some people argue that there only needs to be two plot points in a story, while others suggest much more, such as the Seven Point Story Structure we’ll use as a model here.

Let’s look at two vastly different but equally classic books — Margaret Atwood’s The Handmaid’s Tale and Maurice Sendak’s Where the Wild Things Are — to see how well-structured stories often work with similar plot points.

The Plot Points of The Handmaid’s Tale

On the surface, the plot of Atwood’s 1985 dystopian novel is thoroughly unique: a cocktail of historical precedence, futuristic speculation, unreliable narration, and a necessarily passive protagonist (as a woman living under a oppressive and sexist regime). All this might account for why it remains so popular to this day — in 2017, its TV adaptation swept the Emmys, and it was the most read book of that year according to Amazon.

However, dig a little deeper and you’ll find that its structure is comparable to other great stories.

Hook

A story must start off strong enough to keep the reader, you know, actually reading. Many refer to this feature as the Hook, or the Back Story — the point that pushes a novel into motion and automatically sets it apart from the millions of others out there.

A great story can do this off the strength of its premise alone. From the start, Atwood hooks us in by introducing readers to the primary conflict of Offred’s story: she is a woman in a world where women have no agency. We see how this conflict fits into her day-to-day life as Offred attends a Ceremony with her oppressor, The Commander. For her, this is a horrible but commonplace routine. But to the reader, it is new, and it hooks them with the desire to learn more.

A premise itself will never be enough to carry a novel. But it needs to be enough to hook the reader’s interest long enough to keep them on the line, until the first big reveal comes around and reels them in.

First Plot Point

The Hook sets the stage for the first Big Event, also referred to as the Catalyst, the Inciting Incident, or, simply, the First Plot Point. This occurs somewhere around the ¼ to ⅓ mark in the story and signals the end of the beginning.

This First Plot Point should force the protagonist into the conflict. In The Handmaid’s Tale, it arises in the form of an invitation from The Commander to meet with Offred outside the Ceremony. In this world, such a meeting is expressly forbidden… and yet, so is acting against the wishes of a Commander. Thus, Offred is thrown free from the status quo, and the story changes course.

First Pinch Point

The middle of the story generally consists of the character reacting to the Big Event and its consequences. These are Pinch Points, and they put the character under pressure, forcing them to make a choice.

Characters will often spend this part of their story choosing to not act. Offred meets with The Commander. He coerces her into a sort-of affair, meeting with her regularly (albeit only to play Scrabble and read magazines) while hiding it from his Wife. Offred hesitates, but goes along with it. She has little choice in the matter but sees an opportunity to improve her situation if she can curry the Commander’s favor.

So, we see her reacting to the jarring call to adventure, but mostly with passivity. It will take a major turning point for her to react to it actively.

Midpoint

Perhaps the most crucial plot point occurs near the middle of a story. The Midpoint is a crucial turning point that forces the protagonist to stop reacting and start acting.

Throughout the story, Offred has looked back on the memories of her old friend Moira, a rebellious firebrand who provides her with hope that it’s still possible to exist in this world as an independent woman. However, when The Commander takes her to a brothel, Offred discovers Moira there, living freer than her modest counterparts, but still very much under the finger of the patriarchal regime. Offred realizes there is no hope for her to operate within the confines of this society and still retain some independence. Instead, she must take matters into her own hands.

Final Pinch Point

For the second half of the middle, the protagonist then experiments with agency, taking different approaches to overcome the conflict. This is another Pinch Point: our protagonist reacts to or acts on pressure and conflict, with middling success.

Offred tests her boundaries with small acts of rebellion such as refusing breakfast, toying with matches, and even entering an affair with Nick, one of the servants on the property. They offer her no hope of overthrowing the regime or even attaining personal freedom, but they still give the character an agency that did not exist before.

Final Plot Point

Going into the third act (or the beginning of the end, so to speak) there is often one Final Plot Point. This shows the protagonist at their lowest, having taken a profound misstep among their newfound actions which drives them directly into the Climax and Resolution.

In this example, The Commander’s wife discovers her husband’s affair with Offred. This presents Offred with an unpleasant choice — the terrifying uncertainty of seeking help in a world where she trusts no one, or the deadly certainty of suicide.

Resolution

A great story will end on a Climax, Realization, and Resolution, a series of events that bring the story and character arc in full circle. Usually, these revolve around a choice presented to the protagonist. No matter the decision they make, it will reveal something important — either they’ve changed, or they haven’t.

In Offred’s case, she chooses the former and tells Nick that she thinks she’s pregnant, reaching out and confiding in someone other than herself for the first time in the novel. This might not be the action-packed ending that comes to mind when you think of a Climax. However, it does exactly what it needs to do. It brings the conflict to a head and forces the character to make a crucial decision. At first, we saw Offred living in an oppressive, yet normalized certainty. By the end, she chooses agency over passivity, and uncertainty over certainty, no matter how dangerous it might be. This leads directly to the end, where Nick uses this information to break her out of The Commander’s house.

Plot Points On A Map

Plots And Points

Plot Points In A Novel

No more plot twists exist here. The function of this point is simple: bring the story to a satisfying (if not necessarily happy) ending. The conclusion of a story doesn’t need to be sunshine and roses. But it needs to feel natural, like everything that came before led necessarily to one place.

Thus, the bare bones of The Handmaid’s Tale would look like such:

  1. Hook: Offred is forced into a Ceremony with The Commander in a world where women have no agency.
  2. First Plot Point: The Commander invites Offred to meet with him outside this ceremony, which is forbidden.
  3. First Pinch Point: She enters into an affair with The Commander hoping to leverage it into independence.
  4. Midpoint: They go together to a brothel where she finds even the most independent women are oppressed.
  5. Final Pinch Point: She enters into an affair with Nick as an act of agency.
  6. Final Plot Point: The Commander’s Wife discovers that they have been together, so Offred must choose between certain death (suicide) and uncertain danger (confiding in someone she isn’t sure if she can trust).
  7. Resolution: Offred makes her choice, telling Nick that she’s pregnant, so she is rescued.

Presented like so, it becomes apparent that each plot point feels like the natural extension of the last and moves seamlessly to the next. This creates the desired effect of any well structured story: an ending that feels both like a surprise and the only possible outcome when looking back.

The Plot Points of Where the Wild Things Are

Clocking in at barely 300 words, Sendak’s classic children’s book has a predictably simpler plot than The Handmaid’s Tale. And yet, broken down in the same way, it is surprisingly comparable. It has a beginning, middle, and end, with two Plot Points to transition between and one at the Midpoint altering the course of the story. It also has a narrative Hook, a handful of Pinch Points, and a Resolution.

Laid out by only its plot points, Where the Wild Things Are would look like such:

  1. Hook: Max is mischievous and dresses like a wild thing.
  2. First Plot Point: His mother yells at him and he yells back.
  3. First Pinch Point: She sends him to bed without dinner, so he sails to where the wild things are.
  4. Midpoint: They make him king of all wild things.
  5. Final Pinch Point: He sends them to bed without dinner, then realizes he’s lonely and wants to be loved.
  6. Final Plot Point: He journeys back home.
  7. Resolution: He finds his dinner waiting for him, still hot.

Where the Wild Things Are is a tightly structured story that moves naturally in a full circle and ends satisfactorily. More importantly, its bare bones bear uncanny resemblance to The Handmaid's Tale — and countless more stories in the Western canon.

Once again, these authors surely did not adhere to strict, structural guidelines in plotting these stories. All good stories simply flow in similar ways, ways that keep the attention of the person being told. In order to keep it flowing and not dribbling, keeping your plot points in mind is crucial.

What other stories could you break down by plot points? Tell us the 7 plot points of your favorite book in the comments below.

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Note

Smart narrative visuals can be created and viewed in both Power BI Desktop and the Power BI service. The steps and illustrations in this article are from Power BI Desktop.

A scatter chart always has two value axes to show: one set of numerical data along a horizontal axis and another set of numerical values along a vertical axis. The chart displays points at the intersection of an x and y numerical value, combining these values into single data points. Power BI may distribute these data points evenly or unevenly across the horizontal axis. It depends on the data the chart represents.

You can set the number of data points, up to a maximum of 10,000.

When to use a scatter chart, bubble chart, or a dot plot chart

Scatter and bubble charts

A scatter chart shows the relationship between two numerical values. A bubble chart replaces data points with bubbles, with the bubble size representing an additional third data dimension.

Scatter charts are a great choice:

  • To show relationships between two numerical values.

  • To plot two groups of numbers as one series of x and y coordinates.

  • To use instead of a line chart when you want to change the scale of the horizontal axis.

  • To turn the horizontal axis into a logarithmic scale.

  • To display worksheet data that includes pairs or grouped sets of values.

    Tip

    In a scatter chart, you can adjust the independent scales of the axes to reveal more information about the grouped values.

  • To show patterns in large sets of data, for example by showing linear or non-linear trends, clusters, and outliers.

  • To compare large numbers of data points without regard to time. The more data that you include in a sScatter chart, the better the comparisons that you can make.

Plots And Points One

In addition to what Scatter charts can do for you, bubble charts are a great choice:

  • If your data has three data series that each contains a set of values.

  • To present financial data. Different bubble sizes are useful to visually emphasize specific values.

  • To use with quadrants.

Dot plot charts

A dot plot chart is similar to a bubble chart and scatter chart, but is instead used to plot categorical data along the X-Axis.

They're a great choice if you want to include categorical data along the X-Axis.

Prerequisites

This tutorial uses the Retail Analysis sample PBIX file.

  1. From the upper left section of the menubar, select File > Open

  2. Find your copy of the Retail Analysis sample PBIX file

  3. Open the Retail Analysis sample PBIX file in report view .

  4. Select to add a new page.

Note

Sharing your report with a Power BI colleague requires that you both have individual Power BI Pro licenses or that the report is saved in Premium capacity.

Create a scatter chart

  1. Start on a blank report page and from the Fields pane, select these fields:

    • Sales > Sales Per Sq Ft

    • Sales > Total Sales Variance %

    • District > District

  2. In the Visualization pane, select to convert the cluster column chart to a scatter chart.

  3. Drag District from Details to Legend.

    Power BI displays a scatter chart that plots Total Sales Variance % along the Y-Axis, and plots Sales Per Square Feet along the X-Axis. The data point colors represent districts:

Now let's add a third dimension.

Create a bubble chart

  1. From the Fields pane, drag Sales > This Year Sales > Value to the Size well. The data points expand to volumes proportionate with the sales value.

  2. Hover over a bubble. The size of the bubble reflects the value of This Year Sales.

  3. To set the number of data points to show in your bubble chart, in the Format section of the Visualizations pane, expand General, and adjust the Data Volume.

    You can set the max data volume to any number up to 10,000. As you get into the higher numbers, we suggest testing first to ensure good performance.

    Note

    More data points can mean a longer loading time. If you do choose to publish reports with limits at the higher end of the scale, make sure to test out your reports across the web and mobile as well. You want to confirm that the performance of the chart matches your users' expectations.

  4. Continue formatting the visualization colors, labels, titles, background, and more. To improve accessibility, consider adding marker shapes to each line. To select the marker shape, expand Shapes, select Marker shape, and select a shape.

    Change the marker shape to a diamond, triangle, or square. Using a different marker shape for each line makes it easier for report consumers to differentiate lines (or areas) from each other.

  5. Open the Analytics pane to add additional information to your visualization.

    • Add a Median line. Select Median line > Add. By default, Power BI adds a median line for Sales per sq ft. This isn't very helpful since we can see that there are 10 data points and know that the median will be created with five data points on each side. Instead, switch the Measure to Total sales variance %.

    • Add symmetry shading to show which points have a higher value of the x-axis measure compared to the y-axis measure, and vice-versa. When you turn symmetry shading on in the Analytics pane, Power BI shows you the background of your scatter chart symmetrically based on your current axis upper and lower boundaries. This is a very quick way to identify which axis measure a data point favors, especially when you have a different axis range for your x- and y-axis.

      a. Change the Total sales variance % field to Gross margin last year %

      b. From the Analytics pane, add Symmetry shading. We can see from the shading that Hosiery (the green bubble in the pink shaded area) is the only category that favors gross margin rather than its sales per store square footage.

    • Continue exploring the Analytics pane to discover interesting insights in your data.

Create a dot plot chart

To create a dot plot chart, replace the numerical X-Axis field with a categorical field.

Plots And Points Calculator

From the X-Axis pane, remove Sales per sq ft and replace it with District > District Manager.

Plot Points Online

Considerations and troubleshooting

Your scatter chart has only one data point

Does your scatter chart have only one data point that aggregates all the values on the X- and Y-axes? Or maybe it aggregates all the values along a single horizontal or vertical line?

Add a field to the Details well to tell Power BI how to group the values. The field must be unique for each point you want to plot. A simple row number or ID field will do.

If you don't have that in your data, create a field that concatenates your X and Y values together into something unique per point:

To create a new field, use the Power BI Desktop Query Editor to add an Index Column to your dataset. Then add this column to your visualization's Details well.

Plots And Points

Next steps

Plot Points On Graph

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